It was a remarkable scene, both strikingly symbolic and slightly odd. When Sadiq Khan was formally sworn in for his first term as London Mayor in May 2016, the ceremony took place before the packed pews of Southwark Cathedral. This time, after an election contest delayed for a year by the pandemic, the location was the open-roofed Shakespeare’s Globe theatre before a Covid-sparse audience composed of press photographers, camera crews, City Hall officials and a handful of distinguished journalists.
The changeable weather rose to the occasion with a parting of rainclouds to allow a shaft of sunlight to fall upon the victor as he took the stage. London Mayors have limited powers, but perhaps there’s more to them than meets the eye.
Khan had arrived earlier accompanied by his wife Saadiya Ahmed for a photocall outside on New Globe Walk beside the Thames. Then, following introductory words by Gloria Musso who has just returned to work at the Globe’s Swan bar and restaurant post-furlough, and from actor Adrian Lester, he made a short speech.
After thanking Londoners for again entrusting him with the privilege of power and promising to continue striving to create “a fairer, more equal, more prosperous city” for us all, Khan touched upon the venue’s mordant suitability. He noted that the original Globe had often closed for long periods to prevent the spread of plague. “But London’s theatres always opened their doors and stages again,” he said, “and they always went on to bigger and better things – just like today’s Globe will do this summer.”
Reopening and recovering was the central theme of the speech. He’d spoken before of a promotional push in concert with West End business groups, its cultural sector and others to tempt visitors back to the capital’s heart and encourage Londoners themselves to safely enjoy its pleasures too. He now announced what he called “the biggest domestic tourism campaign London has ever seen” – a year-long “call to action” beneath the banner “let’s do London” with the aim of spreading the word “that our capital city stands ready to entertain, inspire and enthral once again”.
Events at famous destinations, outdoor film screenings, “exciting new public art installations” and late-night openings of museums and galleries were promised. Already, David Hockney has produced a special version of Transport for London’s famous roundel for Piccadilly Circus. Designer Yinka Ilori is to lead a streetscape project called “Asphalt Art”. The Mayor has previously committed £6 million to the marketing campaign.
On the bedrock mayoral matters of crime and policing, affordable homes and air quality, he said he would keep on keeping on as before (though there was no specific mention of transport, where the future lies in the hands of Grant Shapps and the government, following their effective nationalisation of TfL after the pandemic wrecked its finances a year ago). And he revisited a foreground theme of his acceptance speech of Saturday night:
“I pledge to use this second term to do everything I can to build the bridges that bring us closer together, rather than the walls that drive us further apart. Because as we recover and rebuild from this pandemic, we simply must use this moment of national recovery to strive for a moment of national healing too.”